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TABLE OF CONTENTS 2
INTRODUCTION 5
THE UNIVERSITY OF LOUISVILLE, EKSTROM LIBRARY, THE PHOTOGRAPHIC ARCHIVES 8
STAFFING 8
DESCRIPTION OF THE ARCHIVE 8
DIGITIZATION STRATEGY 10
RELATIONS WITH COMMERCIAL DISTRIBUTORS 10
COPYRIGHT 11
SHOWS 11
DIGITIZATION EQUIPMENT AND SOFTWARE WISH LIST 11
VIEWS ON DIGITAL ASSET MANAGEMENT SOFTWARE 11
PLANS FOR THE FUTURE 13
UNIVERSITY OF UTAH MULTIMEDIA ARCHIVES 14
THE IMAGES COLLECTION 14
THE FILM COLLECTION 15
CATALOGING & WEB DISTRIBUTION STRATEGY 15
LICENSING THE COLLECTION 16
COPYRIGHT ISSUES 16
PRIORITIES FOR THE COLLECTION 17
FILM FESTIVALS 17
STAFFING 17
GRANTS 18
ACQUIRING MARKETING EXPERTISE 18
DIGITIZATION EQUIPMENT 19
WEB SITE DEVELOPMENT & TRAFFIC 19
THE ARCHIVE’S ROLE IN LOCAL INDUSTRY 19
OTHER COLLECTIONS THAT GENERATE SUBSTANTIAL INTEREST 20
RELATIONSHIP TO THE SEARCH ENGINES 20
BUILDING THE COLLECTION 21
ADVICE 21
AMERICAN INSTITUTE OF PHYSICS’ EMILIO SEGRÈ VISUAL ARCHIVES 22
BASIC DESCRIPTION OF THE ARCHIVE 22
PHOTOGRAPH SALE, LICENSING AND FEE STRUCTURE 23
ON-LINE SEARCHABLE DATABASE 23
END USERS OF THE COLLECTION 25
MARKETING 25
ON-SITE VISITS 25
THE NEWSFILM LIBRARY AT THE UNIVERSITY OF SOUTH CAROLINA 26
BASIC DESCRIPTION OF THE NEWSFILM LIBRARY 26
ELEMENTS OF THE COLLECTION 26
CATALOGING THE COLLECTION 27
“DOPE SHEETS” AS A HISTORIAN’S RESOURCE 27
OTHER ASPECTS OF THE NEWSFILM COLLECTION 27
LICENSING THE COLLECTION 28
EDUCATIONAL USES OF THE COLLECTION 29
PLANS FOR DIGITIZATION OF THE COLLECTION 30
STAFFING 31
ON SITE ACCESS 31
WEBSITE 31
ADVICE FOR PEERS 32
THE UNIVERSITY OF CALIFORNIA, BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE 33
DESCRIPTION OF THE PACIFIC FILM ARCHIVE 33
CATALOGING 34
DIGITIZATION PROJECT 34
INDEXING AND DATABASE MANAGEMENT 35
MARKETING 36
MECHANICS OF DIGITIZATION 36
STAFFING THE DIGITIZATION PROJECT 36
BUDGET 36
ATTITUDE TOWARDS FILM DIGITIZATION 37
COLLECTION DEVELOPMENT STRATEGY 38
ADVICE 38
THE UCLA FILM AND TELEVISION ARCHIVE 39
OVERVIEW OF THE UCLA FILM ARCHIVE 39
BEGINNINGS 40
THE BREADTH OF THE COLLECTION 40
GENERATING FEES IN SUPPORT OF THE ARCHIVE 41
THE OVERALL BUDGET 42
OUTFEST 42
CURRENT METHOD OF ACCESSING THE METROTONE CARD CATALOG 43
DEVELOPMENT OF AN ONLINE METHOD TO DISTRIBUTE FOOTAGE 43
IMPACT OF CATALOGING ON COLLECTION USAGE 44
FILM SHOWINGS 44
POTENTIAL PARTNERSHIPS 45
ADVICE TO PEERS 45
THE VANDERBILT UNIVERSITY TELEVISION NEWS ARCHIVE 47
CONTENTS OF THE ARCHIVE 47
ONLINE SEARCHING AID ADDS VALUE IN AND OF ITSELF 47
SCHOLARLY USE OF THE ARCHIVE 48
PRICES FOR RENTAL OF THE FOOTAGE 48
USAGE STATISTICS FOR THE ARCHIVE 49
MAIN ADVANTGES OF DIGITIZATION 49
DIGITZATION EQUIPMENT 50
STREAMING VIDEO 50
WEB PRESENCE AND WEB DISTRIBUTION 51
FOR THE FUTURE 52
THE US NATIONAL ARCHIVES SPECIAL MEDIA PRESERVATION LABORATORY 53
EXTENDING THE LIFE OF ACETATE FILM IMAGES 53
NARA’S ELECTRONIC RECORDS PROJECT 54
CURRENT STATE OF DIGITAL ACCESS TO NARA IMAGES 55
PARTNERSHIPS WITH PRIVATE INDUSTRY TO EXTEND DIGITAL ACCESS 55
ARCHITECTURAL DRAWINGS 56
PRIORITIZING DECISION MAKING ON DIGITIZATION 56
MOST FREQUENTLY REQUESTED DOCUMENTS AND IMAGES 57
EQUIPMENT FOR DIGITIZATION 57
THE UNIVERSITY OF WASHINGTON 59
ORIGINS OF DIGITAL INITIATIVES 59
FUNDING 60
NAVIGATING THE OLYMPIA PENINSULA PROJECT 60
LEGAL AND COPYRIGHT ISSUES IN THE OLYMPIA PENINSULA PROJECT 61
PROBLEMS REGARDING THE PROTECTION OF THE PUBLIC IMAGE OF PROJECT PARTICIPANTS 62
KING COUNTY SNACK SHOPS 62
FOR THE FUTURE 63
OTHER REPORTS FROM PRIMARY RESEARCH GROUP INC. 65
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